Reviews:

Rónán Johnston, music producer, composer and international speaker.

“Sacred Stories is a beautiful and fitting follow up to Dan Carollo's earlier work [The Communion of Saints]. He continues to blend traditional airs with new ideas and arrangements which pull out the soaring, searching and yearning at the heart of those old hymns. Sonically beautiful, an accoustic treat for the ears. Loved it!”

Peter Miller, Australian guitarist

“Dan's new album [The Communion of Saints] is Excellent. From Celtic to Ethereal. Very good playing style with a mixture of rhythms and melody lines. This CD is very easy to listen to, Easy to drift away and immerse yourself in the sound of the guitar( and a tiny splash of piano). Well played and well recorded. Sit back, look out the window and watch the world go by as the tunes conjure up images of rural and oceanic themes. This CD will sit comfortably in a Guitars lovers collection. Five Stars There”

Heidi Fosner, Victory Music Review , May 2007 (Accoustic Music Magazine)

"Traditional Irish and American tunes, with some original compositions make up the very lovely Miles From Dublin. Produced by Seattle area guitarist Dan Carollo on his independent CeltoGrass label, this Celtic treasure chest contains 17 tracks of reels, hymns and jigs in a thoughtfully balanced collection of beautiful songs.

Carollo’s tender and skillfully played guitar, usually in open D tuning, takes center stage on the hymns and his originals – “The Thing That Fell Off The Kettle,” and “Pour The Coffee,” but all the guest musicians on Miles From Dublin have their moments of glory. The uilleann pipes on “The Black Rogue,” and the flute on “Over the Moor To Maggie,” show off Eliot Grasso’s talents, while Michael Connolly’s mandolin gets the spotlight on track 4 and 8. Suzanne Taylor’s accordion conveys an almost tear-jerking sense of longing in “The New Land,” and fiddler Randal Bays takes it away on “Ships Are Sailing,” and “Paidin O’Rafferty”.  

All of the songs and all of playing on Miles From Dublin are excellent, but I could listen to the hymns, “Come Thou Font of Every Blessing,” and “Be Thou My Vision / St. Margaret’s Reel,” over and over again, preferably alone and with a  box of tissues near by.

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Bill Fisher. Victory Music Review , August 2004 (Accoustic Music Magazine). Review of “Waiting For Inpsiration”

"Carollo is a wonderful guitarist whose style incorporates the techniques developed by many of today's finest folk and new age players while at the same time hewing to traditional fingerpicking and Celtic and American sources.  "The name Celtograss describes Dan's eclectic blend of Celtic, old-time American, gospel, bluegrass and original folk music," Dan writes. 

You may find him in various local venues, either solo or playing with bandmates as Celtograss. Especially strong is the fiddle work of Ted Yuen, whose mastery of tone shines clearly in a superb reading of Jay Ungar's "Ashokan Farewell", The repertoire here includes traditional reels and jigs, sweet contemporary compositions, and Yuen and Carollo originals, which always have a spiritual foundation.  For example, the second song, "St. Peter's Hot Rod," weaves together Windham Hill-like spaciousness with witty uptempo work.  It is Carollo's delicately complex solo version of "Amazing Grace", though, that wins my allegiance.  The CD's one vocal, "Nothing I Desire," doesn't quite fit in this set, but it makes Carollo's Christian underpinnings very clear.  The following song, "Instrument of Peace," with its catchy djembe (played by Travis Coster) and guitar and mandolin rhythms (both played by Carollo), is the second highlight track -- though all the music on the CD is uniformly catchy, moving, impeccably produced, and spirit-lifting.  There are even a few guitar runs that make this listener shout for joy." 

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Heather Beckmeyer for Celtic Christian Tunes. Review of “Waiting For Inpsiration”

"From the opening set of traditional tunes, you know this is happy relaxing-with-friends-listening music. Well crafted, unhurried, a smooth double-cappuccino atmosphere settles upon the listener (check out Dan's website for sources of Dan's inspiration). The intimate sound quality adds to the friendly feeling that the players are in your own living room.

Tasteful arrangements of old favorites are evenly interspersed with original compositions in traditional style. Acoustic fingerstyle guitar (Dan Carollo) and fiddle (Ted Yuen), the predominant instruments are expertly played and well balanced in their interchanging roles as lead and backup. Mandolin, bodhran, bass, keyboards, and djembe fill out the tunes.

In the well-known category, particularly agreeable is the instrumental version of "Down in the Valley to Pray," one of several reflective pieces, including "Ashokan Farewell" (two versions) and "Amazing Grace", sensitively interpreted with lovely chord choices. A truly joyful rendition of "Soldier's Joy" leads into a rousing "The Wind That Shakes the Barley," with a creative bodhran ending. Sunshine infuses "John Ryan's Polka" as well.

The most successful of the original compositions are "Thinking Time", "Waking Up / Voice of the Irish" by Dan Carollo and "New Wine Reel" by Ted Yuen, reminiscent of John Doan's compositions. These tunes epitomize his "Celtograss" style, inspired by Irish Celtic and American Bluegrass music.

The weakest tracks are the vocal number, "Nothing I Desire," more in a pop style, not matching the rest of the recording, and "Instrument of Peace," which both lack melodic direction.

Appropriate cover photo of the artist leaning against a weathered old barn, his guitar at his side, suggests the pleasant down-home feeling this album conveys. There are no liner notes; rather one is directed to the website for stories behind the songs.

Listening to Waiting for Inspiration puts one in an untroubled, reflective mood, ready for personal inspiration"